- PDP, BJP seal alliance to form government in Jammu & Kashmir
- RK Pachauri, accused of sexual harassment, quits UN climate change panel
- Centre's land bill is anti-farmer, says Kejriwal at Anna protest rally
- SpiceJet launches low-fare offer for Holi; one lakh seats on the block
- BJP defends Bhagwat, claims Mother Teresa admitted she was not a social worker
Parvesh Sethi, who has won the Sangeet Natak Akademi Award for acting, describes theatre as his lifeline
He used to be called "Sethi make-up wala" but, after acting in more than 500 plays over 40 years, Parvesh Sethi has become an acting veteran as well. He has become a proud winner of the Sangeet Natak Akademi Award (2012) for acting and make-up. The 69-year-old, who has had no formal training in theatre, uses this moment to look back on his journey on the stage.
He had been one of the main actors ever since he was in school. His first major play as an actor was Tagore's Muktadhara in 1961. "I had shifted to Chandigarh from Rohtak, and the play was directed by Dr Mehndiratta. It marked the start of my journey in theatre in the city," says Sethi, Secretary, Chandigarh Sangeet Natak Akademi. While he learnt the intricacies of acting and stage management from different directors and formally from Master Hansraj, Sethi says Balwant Gargi influenced him immensely, chiselling many rough edges. The nuances of theatre make-up, which Sethi is well- known for, was picked up from Indu Ghosh of Delhi's National School of Drama.
Sethi says that for any actor, it's tough to choose a favourite role. After pausing to ponder, he says that playing the role and character of Col Surat Singh in the play Court Martial has been a high point of his acting career. "In January, we will be doing the 400th show of the play and it's a moment of pride," says Sethi, adding that his role in Katha Ek Kans Ki has also been special.
As a close observer of theatre trends in India and abroad, Sethi says there has been a sea change in acting techniques and methods. Sethi, who considers Manohar Singh one of the greatest theatre actors, reflects how acting used to be loud and over-the-top earlier. "At present, the emphasis is on being more natural, and the focus is on expressions rather than gestures. With advances in technology, actors have more scope to modulate their voices and experiment with their style of acting and body movements," he feels.