Review: Life of Pi
- Fake degree row: Jitender Singh Tomar passing law examination confirmed, say officials
- 25 electrocuted, 30 injured after high tension wire falls on bus in Rajasthan
- ISIS, Pak flags waved in Srinagar, police registers FIR
- Bombay HC refuses to grant relief to Nestle, ban on Maggi to continue
- Delhi: Power tariff hiked by up to 6 per cent, to come into effect from Monday
Cast: Suraj Sharma, Irrfan Khan, Tabu, Adil Husain
Director: Ang Lee
Indian Express Rating: ***1/2
A boy, and a tiger, and a vast, endless ocean. Ang Lee makes a film out of material that seems almost unfilmable, and a lot of it is quite wondrous. What stops it from being completely spectacular is the director's faltering with the cultural specificities of being Indian. So what you get is a not-so-satisfactory beginning, a gorgeous middle, and a too-sedate ending.
Based on Yann Martel's prize winning novel, Life Of Pi tells the story of the strangely-named Piscine Monitor. Pi lives with his family in Pondicherry where his father (Husain) owns a zoo, his mother (Tabu) hovers protectively over him as he learns harsh life lessons, and a brother. Stranger circumstances take Pi and his family out into the middle of the stormy Pacific Ocean, and in short order, Pi finds himself alone on a life boat with a tiger named Richard Parker.
Here begins the real film, as Lee pares down everything to the elements: the boy, the beast, the sky, and the waters. And that's where we begin to see how masterly Lee can be with creating a parable about life and death and the whole insignificance of the existence thing: through the boy's struggles to stay alive as he fashions a raft out of ropes and plastic, learns to fend off a full-grown Bengal tiger, and slowly sheds weight till he is nearly skin and bones. We see the larger picture where the boy's despairing cries for his 'amma' and 'appa' change into a voiceless dialogue with the almighty, who could be, in Pi's multi-religious piety, Bhagwan, Jesus, and Allah.
The film makes great use of 3D, and for once I was not cursing: the ocean's immersiveness and the overpowering emptiness and the sheer beauty surrounding Pi is enhanced by the technology. What is wonderful is how Pi, played by the excellent Suraj Sharma is never allowed to become too precious or to make a pet out of Richard Parker: the nature of the beast is not meddled with, in the name of magic realism. And while I did fall out of the film a couple of times during this watery tryst, I stayed quite enchanted with the way the film looks and feels.